I make technology perform.
I'm Peiman. I was born in Iran and came to Europe in 2010, first to Budapest and then Copenhagen, to study contemporary arts. From there I went to Wrocław to perform with Song of the Goat Theatre, then back to Denmark to build XR. I've been on stage since 2010 and building immersive work for about six years, moving all over Europe for both. These days I do the two at once: I develop and produce XR, I still get on stage, and the work I lose sleep over is where they meet, technology you don't just watch but feel in your body.
Two crafts, one instinct.
I move between the stage and the system, a body I've trained since 2010, and real-time technology shipped across six years of XR. I'm most alive where the two overlap.
Artistic Works
Contemporary dancer, choreographer and singer. Iranian classical, ballet and contemporary; parkour and physical theatre; a voice from low baritone to countertenor.
Enter the artistic work →
XR Works
VR, AR and MR with real-time interaction, in Unity and Unreal. I both develop and produce, from five years building XR at KHORA to eight-plus EU research programmes like CRAEFT and TRANSMIXR. 25+ projects shipped, 50+ partners.
Enter the XR work →Where the body meets the machine.
This is what I actually chase: technology that performs. One of my XR projects shows it most clearly, part of the work that had me invited to mentor at CPH:LAB, CPH:DOX's immersive development lab (2024–25).
New Business Models for Live Theatre in Virtual Reality
Let's make something.
Sooner if you mention dance.
Open to performance commissions, XR collaborations and experiential work, plus consulting and workshops.